Sync Licensing

Songs built to carry the scene.

Sync licensing for TV, film, streaming, and brand campaigns — custom briefs and one-stop clearance.

What’s Available

Custom Brief

Written to picture

Songs composed to your exact brief — scene description, genre, tempo, mood, duration. The more specific the brief, the better the result. Open to rough and final picture.

Full Stem Pack

Every element separated

Lead vocal, backing vocals, lead instrumental, rhythm section, and harmonic elements delivered separately. Ready for picture lock, re-edit, or regional alternate mixes.

One-Stop Licensing

Sync and master, one deal

Both composition and master rights cleared in a single agreement. No label. No separate publisher. Terms confirmed upfront before delivery — nothing left to chase.

Alternate Mixes

Vocal-up, instrumental, stripped

Alternate versions delivered alongside the main track — instrumental, vocal-up, underscore, a cappella. Specific configurations available on request.

How It Works

Send the brief. Scene description, genre reference, mood, tempo, duration, territory, exclusivity requirements if you have them. Deadline is the most important detail — include it and I’ll confirm whether it’s workable before committing. I won’t take a brief I can’t deliver on.

From there: I write or curate to picture, deliver a rough for approval, then provide final files with full stems once the direction is locked. Most songs that fail in sync fail the same test — they describe the emotion instead of creating it. Everything here is built to hold the scene without explaining it.

Licensing terms are agreed before delivery. One-stop is available — both sync and master cleared in a single deal, with no separate rights holders to negotiate. If you need a catalogue search instead of a custom brief, that’s worth a conversation.

Who This Serves

Music supervisors placing tracks for TV, film, and streaming platforms.
Ad agencies and brand campaign teams looking for original composition or catalogue.
Indie artists and labels seeking sync placement — sync is one of the few revenue streams still growing for independent artists.

If that sounds like your project — submit a brief.

In their words

“I sent over three tracks and got a placement within six weeks. The brief matching was spot on.”

— Nina B., film composer

“I hadn’t considered sync until this conversation. Now it’s a real part of how I think about releasing music.”

— Marco T., indie artist

“Fast, professional, and the notes were genuinely useful — not just industry-speak.”

— Sasha R., music supervisor

Ready to place? — submit a brief.

Common questions

Do you accept sync briefs directly?

Yes. Send the brief directly — scene description, genre, tempo, mood, deadline, and territory or exclusivity requirements if you have them. The more detail, the better the fit. Open to both direct briefs and referrals from music supervisors.

What’s included in a stem pack?

Full stem separation as standard: lead vocal, backing vocals, lead instrumental, rhythm section (drums, bass), and harmonic elements (keys, guitar, synths). Additional splits — underscore, a cappella, stripped — available on request.

Can you deliver one-stop licensing?

Yes. Both sync (composition) and master rights available to clear in a single deal. No separate label or publisher to negotiate. Terms are agreed upfront and confirmed before delivery.

How quickly can you turn around a brief?

Turnaround depends on the brief and your deadline. Include the deadline and I’ll confirm whether it’s workable before committing — I won’t take a brief I can’t deliver on.

What genres and moods do you work in?

Cinematic emotional pop, conceptual pop, dark pop, and atmospheric underscore are home territory — but the brief leads. If the scene needs something specific, that’s the starting point, not the genre list.

About

I’m Reece — songwriter, topliner, and producer based in Aotearoa New Zealand. I’ve worked in film and TV and have ongoing relationships with music supervisors — which means I understand how a song needs to behave before it reaches a brief. I think visually: what the scene is doing, not just what it feels like.